I have just finished reading Louise Phillip's debut novel, 'Red Ribbons', a psychological crime fiction novel.
I first came across Louise while writing pieces in Magpie writing prompts, when her blog was called '120 Socks'. Some of you may remember her pieces then. Even when reading some of her Magpie pieces, it was obvious that Louise was a writer of considerable talent and that it would only be time before her novels would start appearing on our bookshop shelves.
Louise's debut novel was launched in Dublin this week at one of the biggest book launches seen in recent years.
I would highly recommend her book. It is gripping, tense and atmospheric and Louise has such a keen eye for detail, that she brings all the characters and locations in the book totally to life for the reader.
I found it really difficult to put this book down (my house and writing have suffered this week as a result), as the pace is really fast and as it switches from character to character, the novel moves along really swiftly. I found myself holding my breath reading certain sections of the book and my night-time locking up routine in my house has become a little more obsessive, since reading this great book.
Louise is a highly perceptive writer. She delves into the minds of her characters and their stories are compelling and convincing.
I particularly loved the character of 'Ellie' a mother institutionalised fifteen years earlier for the murder of her daughter, Amy. Louise's writing totally captured the sense of the isolated, the forgotten, the institutionalised. When Ellie wakes one morning, she watches the sunlight repeat the same pattern on the walls of her room that is has done for every morning of her incarceration.
"But I am not out in the real world, and I have little desire for its teasing"
- just one small example of Louise's perceptive writing.
Louise applies this perceptive skill to all her characters - the criminal psychologist, Kate Pearson, struggling to balance her career and her home life, the doctor who is caring for Ellie, the detectives, even the killer himself. Louise manages to invade the mindset of the killer so well that I found myself occasionally feeling empathy for him, no mean feat!.
There is some beautiful descriptive writing in this book, The landscape of Wicklow is brought to life in Louise's words and that combination of the beauty and bleakness of the countryside is described so eloquently by Louise.
So if you fancy a great read, a real page turner and a chance to read some beautiful writing by an exciting and talented debut novelist, I would highly recommend 'Red Ribbons'.
Details of where to buy it are on
Louise's site.
If you are in Ireland, please go to a bookshop to purchase it as Amazon sales aren't counted in the Irish Book charts and it would be great for Louise to make next week's book charts.
Louise is working on her next novel,"The Dolls House", due out next year and I will definitely be one of the first to buy it.
Congratulations, Louise, pour yourself a glass of champagne and revel in your success!
About the Author:
Louise Phillips returned to writing after a 20 year gap spent raising her family, managing a successful family business, and working in banking. Quickly selected by Dermot Bolger as an emerging talent, Louise went on to win the 2009 Jonathan Swift Award and in 2011 she was a winner in the Irish Writers’ Centre Lonely Voice Platform, as well as being short-listed for Bridport UK Prize, the Molly Keane Memorial Award, and the RTÉ Guide/Penguin Short Story Competition. In 2012 Louise was awarded an Arts bursary for literature from South County Dublin Arts. Other publishing credits include many literary journals and anthologies, including New Island’s County Lines. Louise's psychological crime novel, Red Ribbons
, is published by Hachette Books Ireland, and her second novel, The Doll's House
will be published in 2013.
The Book:
A missing schoolgirl is found buried in the Dublin Mountains, hands clasped together in prayer, two red ribbons in her hair. Twenty-four hours later, a second schoolgirl is found in a shallow grave – her body identically arranged. The hurt for the killer is on.
The police call in criminal psychologist, Kate Pearson, to get inside the mind of the murderer before he strikes again. But the more Kate discovers about the killings, the more it all feels terrifyingly familiar.
As the pressure to find the killer intensifies there's one vital connection to be made – Ellie Brady, a woman institutionalised fifteen years earlier for the murder of her daughter Amy. She stopped talking when everybody stopped listening.